I am still struggling to finish my synopsis!!! It is down to ~900 words now but TFQ opinion is that there isn't enough conflict in it, though I think I have managed to cover the most important areas of the plot! - God it's so hard to miss out characters completely!!!!
Anyway to try and help the situation and give my brain a breather and a different take on it, I made a 'trailer' which I thought I would share with you. I rather like it - and if Mr Purefoy is available for the real thing my phone number is ......... :-)
Saturday, 28 February 2009
Friday, 13 February 2009
Wherever I lay my head...13.02.09
Whilst doing some research I came across this interesting article from Old and Interesting website: http://www.oldandinteresting.com/medieval-renaissance-beds.aspx
Beds in Late Medieval and Tudor England
In the 14th century the poorest people slept on a straw mattress on the floor with whatever warm covering they could get. The richest houses had large elaborate beds, with ornamented canopies, richly-embroidered hangings, and soft featherbeds under the fine linen sheets. They were among the most splendid pieces of furniture in a large house, and noblemen often had their emblems embroidered on the hangings. They were a comfortable place to meet for a chat, or receive guests, while displaying an abundance of fine textiles, as in this scene from 1409. They could be social gathering places at night too, as visitors of high status would be invited to sleep in a bed even if they had to share.
There are pictures from14th or 15th century France showing a canopied, curtained bed with a head sheet laid over the pillow resting on a sheet-draped bolster. Head sheets were gradually replaced by pillowcases and are not usually mentioned after 1500. A pillowcase was always called a pillow bere (bearer) until about the 16th century, but this could mean various kinds of pillow cover, not necessarily a linen pillowcase matching the sheets.
Although there were canopies and curtains, these weren’t the full four poster beds with poles at each corner which started to arrive in the 15th century. In the late Middle Ages the best beds had hangings draped from a frame which was suspended from the ceiling beams sometimes supported by a tall bedhead too, and often with a canopy called a tester or celure. The actual bedstead was usually an independent structure within all the finery. Beds tended to be quite high and might be raised further by being set on a platform.
Beds and bedding were so valuable and highly prized that they were not passed casually down the generations, and it is not unusual to find them mentioned in wills from the 14th century onward. A well-to-do but middling family might have one featherbed and feather bolster to pass on, while some of the wealthiest people could leave their descendants several beds with complete sets of expensive hangings and fine bedding. Even woollen mattresses were important enough to be passed on as a bequest in some families.
Simple beds in institutions like monasteries or almshouses might have a mattress, blanket, coverlet and plain pillow. In 1487 a generous benefactor who was leaving money to house old people added a pair of sheets to this list, and estimated that each bed would then cost 13 shillings and sixpence. By this time peasants were sleeping in a little more comfort, and were more likely to be raised off the floor. One mid-15th century inventory of a smallholder's possessions shows that he had "three boards for a bed", a sheet and pillows, as well as some worn coverlets and canvas covers.
By the time Elizabeth I came to the throne, people still arranged beds in much the same way. Except for the introduction of the four-poster in wealthy households and a few inns, and the disappearance of the head sheet, the elements were familiar. But more and more people acquired comfortable bedding and, overall, people's sleeping habits changed. As the middle classes prospered, they too wanted featherbeds and soft sheets. Around 1580 the clergyman William Harrison grumbled about the new generation, so self-indulgent with their feathers and pillows. In his day "If in seven years after marriage a man could buy a mattress and a sack of chaff to rest his head on, he thought himself as well lodged as a lord. Pillows were thought meet only for sick women. As for servants, they were lucky if they had a sheet over them, for there was nothing under them to keep the straw from pricking their hardened hides."
Making the bed
The best beds had a canvas mattress or two filled with wool or straw and then the featherbed. The under-mattress(es) might be laid on canvas spread over the bed slats, or possibly on woven rushes. The featherbed was an expensive luxury and was not plump enough to be used without an underlying woollen or straw mattress, perhaps with a canvas sheet separating rough from smooth. Even a flock or woollen mattress was out of reach for the poorest people, and wool-filled mattresses were valuable enough to be mentioned in "middle-class" wills.
Next a bolster was laid at the head end before a pair of sheets were put on. The best sheets were made of Rennes linen. Cheaper sheets were made of hemp or coarse linen. Blankets came next, and then a coverlet reflecting the wealth of the bed’s owner. The most luxurious could be lined with fur, or be reversible with two different expensive kinds of silk used in the making. If a head sheet was used it was laid over the pillow, probably shortly before bedtime so the decorative pillow-cover would be on display during the day.
Glossary ~ beds, bedding and fabrics
Bedstead, bedstock – a frame with slats or boards or rope laid across under the mattress
Joined bedstead - all-wooden bedstead
Corded or rope bedstead - ropes supported the mattress instead of wooden slats
Couch-bed - bed with no hangings
Standing bed or stand bed - bed with hangings, high enough to have a truckle sliding beneath it
Truckle bed or trundle bed - low movable bed hidden away during the day
Trussing-bed - bed which can be taken apart, tied up, and transported
Tester and Celure – both words can describe the canopy. Some people use tester to mean the rigid wooden frame or metal rods supporting the draped canopy and think of the fabric as celure. But the distinction is not clear-cut; one inventory in the 16th century refers to a "tester of damask". Tester comes from the French word for head, and celure has the same roots as the word ceiling.
Hangings, curtains, ridels – hang from the canopy
Costers – hangings for the lower sides of the bed, valance
Dosser - hanging at the back of the bed
Transom - fabric stretched across the head of the bed
Pallet, palliasse, paillasse, chaff bed – straw-filled mattress (or chaff-filled)
Mattress, flock-bed, woollen mattress, flock mattress – a mattress filled with bits and pieces of wool (flock) or possibly carded wool.
Tick - cloth bag and mattress cover
Featherbed – a “quilt” fabric bag (tick) filled with feathers. Often accompanied by a matching bolster.
Bolster - a cylinder of stuffed fabric, filled with feathers or flock or wool. Stretched the whole width of the bed and was covered by the lower sheet.
Pillows – could be very luxurious
Pillow bere - pillow cover or pillowcase (pillow-bearer)
Cod - northern English pillow or cushion (also Scotland)
Sheets - made of fine linen, dowlas, canvas or hurden (see fabrics below).
Head sheet – a piece of linen laid over a pillow
Foot sheet – a cloth spread over the end of the bed to sit on while washing and dressing, also used as a sort of bath-mat to stand on.
Blanket – woollen blanket
Fustian - blanket made of coarse linen fustian
Coverlet - a bedspread - could be very decorative, or plain woven wool.
Happing - coverlet of lesser quality
Coverture - coverlet, bedspread
Quilt - either a feather or wool quilt used as a mattress, or a coverlet filled with wool
Tartarine – "Chinese" silk from Tartary
Sendal - thick silk
Samite - rich silk , sometimes with gold threads woven through
Damask - silk with woven designs
Chamlet, camlet - a luxury fabric - the name often applies to a mixed weave of silk and animal hair or wool
Sarsenet, sarcenet - fine, soft silk
Arras - rich tapestry or hanging made of tapestry
Say - fine serge, wool, or wool and silk
Dornick - various blends and weaves in the style of Flemish Tournai (Doornik) fabric, used for hangings or covers
Baudekin - brocade or other thick silk with designs on
Vair - squirrel fur
Miniver - white fur
Rennes, Reynes linen – the finest linen sheeting as woven in Rennes in Brittany
Carde – fabric used for hangings, probably linen
Fustian - coarse linen cloth, (or cloth made from cotton and flax)
Dowlas - coarse linen used for sheets
Canvas - coarse cloth, could be used for sheets, or underneath mattress or featherbed
Worsted - cloth made from wool spun with a firm twist
Harden, hurden, hardine – rough hemp or linen cloth (made from hurds, oakum, tow)
Flock – clumps of wool – later also scraps of cloth
Spellings may vary.
Other interesting sources for bed - info are:
Wardrobe accounts of Edward IV http://www.r3.org/bookcase/wardrobe/ward1.html
Great Bed of Ware at the Victoria and Albert Museum - a little later but still its construction is very interesting And how do they KNOW it could sleep 15 people at once!!? Could have fun trying I guess...
http://en.wikipedia.org/wiki/Great_Bed_of_Ware
The Great Bed of Ware at the V+A - not my best camera moment lol, but I can confirm that it is HUGE!
Beds in Late Medieval and Tudor England
In the 14th century the poorest people slept on a straw mattress on the floor with whatever warm covering they could get. The richest houses had large elaborate beds, with ornamented canopies, richly-embroidered hangings, and soft featherbeds under the fine linen sheets. They were among the most splendid pieces of furniture in a large house, and noblemen often had their emblems embroidered on the hangings. They were a comfortable place to meet for a chat, or receive guests, while displaying an abundance of fine textiles, as in this scene from 1409. They could be social gathering places at night too, as visitors of high status would be invited to sleep in a bed even if they had to share.
There are pictures from14th or 15th century France showing a canopied, curtained bed with a head sheet laid over the pillow resting on a sheet-draped bolster. Head sheets were gradually replaced by pillowcases and are not usually mentioned after 1500. A pillowcase was always called a pillow bere (bearer) until about the 16th century, but this could mean various kinds of pillow cover, not necessarily a linen pillowcase matching the sheets.
Although there were canopies and curtains, these weren’t the full four poster beds with poles at each corner which started to arrive in the 15th century. In the late Middle Ages the best beds had hangings draped from a frame which was suspended from the ceiling beams sometimes supported by a tall bedhead too, and often with a canopy called a tester or celure. The actual bedstead was usually an independent structure within all the finery. Beds tended to be quite high and might be raised further by being set on a platform.
Beds and bedding were so valuable and highly prized that they were not passed casually down the generations, and it is not unusual to find them mentioned in wills from the 14th century onward. A well-to-do but middling family might have one featherbed and feather bolster to pass on, while some of the wealthiest people could leave their descendants several beds with complete sets of expensive hangings and fine bedding. Even woollen mattresses were important enough to be passed on as a bequest in some families.
Simple beds in institutions like monasteries or almshouses might have a mattress, blanket, coverlet and plain pillow. In 1487 a generous benefactor who was leaving money to house old people added a pair of sheets to this list, and estimated that each bed would then cost 13 shillings and sixpence. By this time peasants were sleeping in a little more comfort, and were more likely to be raised off the floor. One mid-15th century inventory of a smallholder's possessions shows that he had "three boards for a bed", a sheet and pillows, as well as some worn coverlets and canvas covers.
By the time Elizabeth I came to the throne, people still arranged beds in much the same way. Except for the introduction of the four-poster in wealthy households and a few inns, and the disappearance of the head sheet, the elements were familiar. But more and more people acquired comfortable bedding and, overall, people's sleeping habits changed. As the middle classes prospered, they too wanted featherbeds and soft sheets. Around 1580 the clergyman William Harrison grumbled about the new generation, so self-indulgent with their feathers and pillows. In his day "If in seven years after marriage a man could buy a mattress and a sack of chaff to rest his head on, he thought himself as well lodged as a lord. Pillows were thought meet only for sick women. As for servants, they were lucky if they had a sheet over them, for there was nothing under them to keep the straw from pricking their hardened hides."
Making the bed
The best beds had a canvas mattress or two filled with wool or straw and then the featherbed. The under-mattress(es) might be laid on canvas spread over the bed slats, or possibly on woven rushes. The featherbed was an expensive luxury and was not plump enough to be used without an underlying woollen or straw mattress, perhaps with a canvas sheet separating rough from smooth. Even a flock or woollen mattress was out of reach for the poorest people, and wool-filled mattresses were valuable enough to be mentioned in "middle-class" wills.
Next a bolster was laid at the head end before a pair of sheets were put on. The best sheets were made of Rennes linen. Cheaper sheets were made of hemp or coarse linen. Blankets came next, and then a coverlet reflecting the wealth of the bed’s owner. The most luxurious could be lined with fur, or be reversible with two different expensive kinds of silk used in the making. If a head sheet was used it was laid over the pillow, probably shortly before bedtime so the decorative pillow-cover would be on display during the day.
Glossary ~ beds, bedding and fabrics
Bedstead, bedstock – a frame with slats or boards or rope laid across under the mattress
Joined bedstead - all-wooden bedstead
Corded or rope bedstead - ropes supported the mattress instead of wooden slats
Couch-bed - bed with no hangings
Standing bed or stand bed - bed with hangings, high enough to have a truckle sliding beneath it
Truckle bed or trundle bed - low movable bed hidden away during the day
Trussing-bed - bed which can be taken apart, tied up, and transported
Tester and Celure – both words can describe the canopy. Some people use tester to mean the rigid wooden frame or metal rods supporting the draped canopy and think of the fabric as celure. But the distinction is not clear-cut; one inventory in the 16th century refers to a "tester of damask". Tester comes from the French word for head, and celure has the same roots as the word ceiling.
Hangings, curtains, ridels – hang from the canopy
Costers – hangings for the lower sides of the bed, valance
Dosser - hanging at the back of the bed
Transom - fabric stretched across the head of the bed
Pallet, palliasse, paillasse, chaff bed – straw-filled mattress (or chaff-filled)
Mattress, flock-bed, woollen mattress, flock mattress – a mattress filled with bits and pieces of wool (flock) or possibly carded wool.
Tick - cloth bag and mattress cover
Featherbed – a “quilt” fabric bag (tick) filled with feathers. Often accompanied by a matching bolster.
Bolster - a cylinder of stuffed fabric, filled with feathers or flock or wool. Stretched the whole width of the bed and was covered by the lower sheet.
Pillows – could be very luxurious
Pillow bere - pillow cover or pillowcase (pillow-bearer)
Cod - northern English pillow or cushion (also Scotland)
Sheets - made of fine linen, dowlas, canvas or hurden (see fabrics below).
Head sheet – a piece of linen laid over a pillow
Foot sheet – a cloth spread over the end of the bed to sit on while washing and dressing, also used as a sort of bath-mat to stand on.
Blanket – woollen blanket
Fustian - blanket made of coarse linen fustian
Coverlet - a bedspread - could be very decorative, or plain woven wool.
Happing - coverlet of lesser quality
Coverture - coverlet, bedspread
Quilt - either a feather or wool quilt used as a mattress, or a coverlet filled with wool
Tartarine – "Chinese" silk from Tartary
Sendal - thick silk
Samite - rich silk , sometimes with gold threads woven through
Damask - silk with woven designs
Chamlet, camlet - a luxury fabric - the name often applies to a mixed weave of silk and animal hair or wool
Sarsenet, sarcenet - fine, soft silk
Arras - rich tapestry or hanging made of tapestry
Say - fine serge, wool, or wool and silk
Dornick - various blends and weaves in the style of Flemish Tournai (Doornik) fabric, used for hangings or covers
Baudekin - brocade or other thick silk with designs on
Vair - squirrel fur
Miniver - white fur
Rennes, Reynes linen – the finest linen sheeting as woven in Rennes in Brittany
Carde – fabric used for hangings, probably linen
Fustian - coarse linen cloth, (or cloth made from cotton and flax)
Dowlas - coarse linen used for sheets
Canvas - coarse cloth, could be used for sheets, or underneath mattress or featherbed
Worsted - cloth made from wool spun with a firm twist
Harden, hurden, hardine – rough hemp or linen cloth (made from hurds, oakum, tow)
Flock – clumps of wool – later also scraps of cloth
Spellings may vary.
Other interesting sources for bed - info are:
Wardrobe accounts of Edward IV http://www.r3.org/bookcase/wardrobe/ward1.html
Great Bed of Ware at the Victoria and Albert Museum - a little later but still its construction is very interesting And how do they KNOW it could sleep 15 people at once!!? Could have fun trying I guess...
http://en.wikipedia.org/wiki/Great_Bed_of_Ware
The Great Bed of Ware at the V+A - not my best camera moment lol, but I can confirm that it is HUGE!
Monday, 2 February 2009
Snow Child 02.02.09
As the UK is covered in snow at the moment I thought you might like to read a story I wrote a while back for one of TFQ's books. It's called 'The Snow Child' and for you WOTR buffs there's something to make you smile (or perhaps not!) concerning someone named Jaquetta. All I will say is Warwick was right after all lol!!!
PS The original artwork is by Mark A Harrison.
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